following on now from mayo soulomon, fbnm are proud to present our next release from another italian producer giorgio luceri. giorgio delivers two sumptuous house tracks here with completely opposite dispositions, the breezin balearic bliss of prophetic vibes versus the dark detroitian dissonance of woman. woman, with thudding drums and deep subs setting the picture right away. warbling synth begin to layer before the crescendo begins with fat analog stabs, rushing synth pads and airy groans. massive. detroitian. dancefloor. destroyer. lastly kai alce (ndatl muzik | atl) remixes of woman. simple but effective kzr delivers a retro house groove fitted out with lo-fi samples and old school sequenced mpc drum!

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

authentic pew presents with its fourth release the debut of the collaboration between angel costa & attemporal under the moniker attac. forcing rhythms and well chosen acid ingredients open a wide space for a hypnotising mindtrip. the following remix by perthil & aerts reinvents the previous elements more to the floor. as patria from paris focussing on their 9-minutes-journey the deeper shades of techno, before tomohiko sagae breaks it all down with industrial noises and terrifying beats.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

after the pre-take before the summer, wph brings you take 1 in its tribute to the biggest belgian electronic music heritage…new beat! four new killer cuts by a 100% wph family line up, also welcoming long-time friend aril brikha to the family.... this is part 2 of a 4 part vinyl set

part 2 of the compilation series inspired by pop art artist charles wilp. the album features 8 extremely wanted cosmic, psychedelic disco productions from the 1970s and 1980s. kristian schultzes zyklonentanz is a captain future styled disco tune from 1980, never commercially released before.limited gimmicks cover edition (4 printed sides round foldout cover, designed by chrisse kunst). expensive, but worth the money!

harvey mckay is back on the track, and stronger and harder than ever before!

contemporary scarecrow continue with a four track ep from the acid mondays with hoffmans bumbag ep. before albert hoffman, inventor of lsd, embarked on his final trip into the ether he gathered his lifes work and zipped it into his favourite bumbag. these secrets have remained concealed until now. expect 4 dimensions of interlocking sound matrixes and shapes from this vinyl only ep.

september will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew. to accompany the album release there are two very limited vinyl samplers. vol. 2 sees rising stars sling & samo (l.i.e.s. records) turn in a heavy spaced-out house jam rendition of *farewell to wendo*, portugals tiago (golf channel) go warm, deep & classy on *sleeper* while call supers amazing remix of *the key* also features (never released on vinyl before). dont sleep - no represses! vol. 1 features remixes from wolf & lamb, skatebard, kink & neville watson & young marco.

cambridge resident samuel emerson iliffe, aka ill life, is driven by a penchant for warping things. akin to warping his sonorous surname into the ill life moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. samuels sonics seemingly owe a considerable amount to recent innovations from the likes of blawan or perc trax alumni, however his only fault is taking part in the phenomenon of synchronous innovation. before karenn coalesced, before clouds newest offerings started being rinsed, ill life had long since moulded his sound. it is infinite machines infinite regret to have discovered him so belatedly. but there is no use crying over spilled trax.

after three sold out releases on gamm the edit king the reflex is back with vol.4 in his re-vision series! this time around he goes slightly more rare groove-ish than before with three amazing re-edits.
first up blood sweat & tears gets a breakbeat rework that kills the original by the miles if you ask us. the dope jazz brake in the middle is extra nice.
to follow up we go on a funky blues trip on *gone is the thrill* and last but not least a hot (!) ohio players jam gets funked up to the max.
the reflex and gamm have done it again!

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

an imperious opening gambit from the manchester collectives new label: a multi-pronged, vigorous, top-notch, house-techno showcase. the ep chugs straight off to the dance-floor, courtesy of the juniper duo at its darkest yet (after sides for ominira, underground quality and smallville), with jamming, filtered synths, echoing claps and vocals, and a b-line stealth attack. a regular at meandyou club nights, sul makes his recording debut here with a craftily delinquent and unhinged synth-pop… gone quite wrong. true to form, none other than kassem mosse — who played a night back in 2009 — turns in an instant classic, audacious and grimey, before collective mainstay heron rounds up proceedings with some deep n bleak, spectral techno, bathed in best basic channel traditions.

principal records follow up the superb debut from s & m with the m from that partnership (that man monkz) alongside the mysterious mr. vasir. as before it is the finest, roughed up soulful house which could just as easily have emerged from detroit as sheffield. mr moncrieff is going from strength to strength! fellow steel city heavy-hitter and exciting new talent squarehead handles the remix, turning in a rough and ready club workout that really hits home.
pressing on white coloured 10 inch vinyl.

cult melbourne band primitive calculators cut a single in 1979 before splitting in the true punk fashion. a posthumous eponymous live album was released in 1981 (also reissued this spring on desire) and that was it. those two tracks are as fresh now as they were more than 30 years ago: in a style not dissimilar to the screamers or cabaret voltaire (circa nag nag nag), primitive calculators used raw monophonic synth lines with scratchy guitars and screaming vocals but the songs were standing on their own (as the unplugged version of do that dance that appears on the primitive calculators and friends 1979-82 could testify. the original 7 inch is now incredibly rare and hard to find and this reissue is its exact replica. first pressing limited to 500 copies.

in september 2010, blame one hit j57 up via twitter when he heard that the legendary nyc record store and hip-hop cultural icon fat beats was closing its doors, knowing that is where j57 worked, to tell him he was sorry to hear the sad news. they immediately clicked and linked up for a project. fast-forward to 2013 and they give you the *walk in the sun* lp.
pressing on orange-red coloured & marbled vinyl, includes code for mp3 download of the full album.

i first met leon vynehall in berlin before a gig at the amazing about_blank. we had a fun conversation and he played a really good set that night. much later i realized i had been playing one of his tracks (total s) for ages! we stayed in touch and i asked if i could hear some of his new music. he sent me five tracks and i signed four, that is a pretty good score if you ask me! smart and conscious about his music and his output, i think this ep is really only the beginning for leon vynehall. i am glad i am able to give it a platform and share these amazing tracks with you. also special props to d&m for doing a great mastering job on these. - martyn

with over a dozen years in music under his belt and a lengthy discography that includes eight full-length albums and numerous eps and remixes, deepchild is a producer who needs no introduction. from australia before it was a destination of note on the electronic circuit, his early music experimented with dub, broken beat, and other ideas. after moving to berlin to be closer to the pulse, his sound has shifted towards house, but audible echoes of the earlier influences remain. caduceus records happily offers him our latest release, with two contrasting original efforts accompanied by remixes from mrsk and lad

geddes first single is impressive with the title track remedy sure to be a pinnacle in many dj sets. remedy is laced with house rhythms and uses a melodic synth and stabs to create a tough house groove before the vocal gives the track the unique flavour and character geddes can produce. shout sleazily rolls along being joined by different instruments to create a funky club track that will turn dance floors upside down

with our 9th release, the rasundas have graced lonesome hero with a double-sided ep of hypnotic, summer goodness. a proper, classic chugger, the a-sides feel the music fashions itself quite the speaker-warmer - an ideal weapon for crushing this summers lineup of open-air festivals. on the flip, wake the neighborhood fuses timeless funk bass with mesmeric string tones and jacking percussion to create a track reminiscent of a dj culture before the cult of personality.

after 2 well received 12 inches they are back! jdeep is on the a-side with only you (dc finesse mix), a 100bpm slow mo deep house groover and miny not small, a mellow instrumental head nodder. dcastillo rocks the b-side with the hypnotic clockwise revolution that teases and twists before the soulful hook kicks in and the soulful short eyes which is pure cracking drums and a soulful bounce from a trusted source slo mo roller boogie!

with prior releases on semantica and subsist, the enigmatic shxcxchcxsh introduced their unique understanding of industrial-leaning techno to avian with last years 12-inch rjrjrffrjrj. avian is now proud to announce the swedish duos first full-length album.
strgths features 7 scuffed, throbbing industrial tracks. initiated by the drones of slvrbbl, the openers atmospherics soon give way to the more direct, beat-driven lttlwlf. rsrrctn brings dubbier elements into play before leading into lvngwtrs searing melody and acidic dynamics. pctstss accelerates up to the records zenith, before descending back into the darkness for the cold steel rhythms of whtlght. closer lldtmps evolves over the course of its near-12 minute running time to move from unsettling, disorienting tension to a warmer, contemplative climax.
the lp marks avian s first full-length album release and will be preceded by a 12-inch featuring reconstructions by label bosses shifted and ventress, plus label acolyte sigha.

maechtig dickes remix-paket! diese maxi kommt mit drei tracks aus mano le toughs großartigem debütalbum, die von dixon, tale of us und new jackson fuer die clubs frisch gemacht worden sind. diese 12inch ist ein sureshot, daran besteht kein zweifel.

brooklyns boroughs are contaminated by creators, so the only surprise hearing alex burkats first 100% silk masters was how subtly exquisite he had nailed them down. patient, swelling loops of new age club mist give way to classic chicago figure-8 bass patterns, and dubby, sampled drum fills punctuate before billowing back out into breathy warehouse atmospherics.
his recent ep for mister saturday night explored more upbeat-oriented dynamics but tarot unwinds with a dreamier deja vu—waves of arpeggiated echoes, strobing stereo shimmer, and low acid warble arcing over a limitless subterranean dance floor. this is hypnotic humanist mantric mystery music for the 21st century, for those invested in what the deck has to hold.

slams new three track single flawlessly encaptures the modern drumcode sound. movement trundles forward with snare rolls and funky percussion. the synth line keeps the funky groove rolling along until the snare roll break where it then crescendos effortlessly back into the track. the realms synth line weaves in and out of the beat, filtering up and down to create intensity before unleashing itself into aural pleasure. irrational numbers takes an unusual rhythmic synth pattern and creates a groove that will make the dance floor shuffle. layered with pads, the track uses depth to create a distinctive character

ontology is the beginning of reality. pulsing rhythms as categories of being are acting like entities in a dusty void. sparkles of light underlines the times of creation, where nothing existed before. since nothing really existed for the human being, silence was full of noises.pulsation as the archaic form of life.
the ontology remix is made by bruno sacco, perfectly in line with coals original. a vision in a techno rough structure, with more bpm. the remix doesnt alter the original but approach it from another point of view. a vision in perfect parisian techno style.

paul ritch is no stranger to drumcode and has returned with an outstanding single featuring three tracks that will dominate dj sets. the first track >run baby run< entertains us with an arpeggiated chord sequence that is accompanied by percussion-like synth sounds before bursting into a thick-layered sequence of sound. the dark and dubby side of the single sees pauls > astral< bring a funky sleazed out groovy track that also uses a discerning melody.

20 years ago the track unfuture, released on sven väths imprint eye q, marked a milestone in technoproductions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has!

the ep kicks off with night escape has a melodic synth line coupled with the funky bass line to give the track a groove that will be an essential in everyones crate. the breakdown leads the listener into a different direction before coming back around and dropping into a funky groove. the second track press start which uses a sub bass line that will tear through dance floors. rhythmic percussion accompanies the bassline before powerful stabs are introduced to the mix to give the track a unique character

ridley road market, dalston, london. august 2013 before the outbreak, the market was full of exotic food, clothes and spices. now all thats left is a sea of mindless undead beings roaming the streets, a non stop 808 low­end rumble and the stench of chicken bones. all this because of a record. it looked different. it sounded different and the results of playing it were catastrophic. as soon as dawn day nights 2012 debut ep was played, a ritual began . . . unbeknown to music lovers all over the world, they had given dawn day night the power to walk the earth once again. that power now grows stronger and he is almost ready to re­animate 4 undead booty shakers: the re­animations ep. with his undead army growing and a diary full of festival shows this summer, ask yourself, are you prepared for survival

tone control music proudly introduces thatmanmonkz 2nd ep, overproof. this follow up to debut ep, the man continues monkz exploration into detroit, disco and soul influenced deep house. lead track, overproof takes mid-tempo, modern boogie from soul into darker territories, while right on gives a nod to detroit old and new, before closing out in percussive yoruba style with long time vocalist collaborator, pete simpson. throughout this ep thatmanmonkz utilises his mpc, rhodes, bass guitar and a multitude of synths to raw, rocking effect. martin atjazz iveson lends his hear on mastering duties to complete another solid ep in the series.

italian electronic & new wave underground 1980 - 1988! taken from the upcoming release mutazione, a collection of reactionary underground electronic and new wave rarities from italy from 1980 - 1988, compiled by kompakt artist alessio natalizia of walls

been a long time since we ve heard anything out of miami like this! producer greg beato follows up his blazing ep for funkineven s apron records with another killer three tracker....serious shit, 100% tip!beato somehow just knows how to get it right combining all the crucial electronic elements, creating three absolutely monsterous tracks that will crush the dancefloor. sure it s been said before, but the music does the talking and this ep is a pure unharnessed example of such. guaranteed to be in every djs bag this summer. further proof it s game over for weak watered down dance music.

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

part 3 of the emotional relish series sees robi insinnas work remixed by a quartet of british producers. death in vegas overseer richard fearless tackles >be loved< starting with an ethereal loop that builds on top of itself before the beat kicks in and the remix heads for the dark (leather) dancefloor. mr andy blake channels the collective spirits of the slits, the pop group and killing joke on his space echo laden remix of >adolescent sex< whilst weatherall acolyte scott fraser returns to the relish cause with a typically chugging rendition of >turning< that has found favour from croatia boat parties to the catwalks of paris s/s 2013 no less (check youtube for evidence). cosey club founder richard d clouston slows down the tempo for a brooding, mind bending take on >blue girls<.

during the summer of 2012 before the rains came, the captain headed for the interior and in a lost valley far from the world of men he jammed with a tribe of initiates ... the valley people. the results were channelled via ether waves to ocean moon central aka the centre of sound where seahawks guided them to vinyl in their own sweet way. echoes of fern kinney on helium, nick nicely on mogadon, kraftwerk jamming in the jungle whilst aliens land their craft ready for a cosmic lounge party. listen out for ethereal soul sounds, island funk and dream wave ... ghost vibrations from beyond the reef where they dream of sliver rivers and sleep under the stars.
pressing on translucent, purple couloured vinyl.

meditative, absorbing dance music in true moritz style — at times seemingly transfixed by its own elements, and minimal almost to vanishing-point, but quickly back ticking, kicking and amassing, with the lethal dubwise density of the classic berlin sound. twelve minutes long, trenchant and forbidding but sharply alive, the dub itself is a kind of deep fort-da gambit which scoops your brain out for a quick sluice, before replacing it slightly skewiff. dont drop your guard because of the tresor.

club trax, is a new series of records created by djs, exclusively for djs. pressed in a limited amount, club trax is only available on vinyl and presents reworks of classic songs from the present and the past.
this second club trax outing brings the spotlight back on a 91 classic that moved many mountains and greatly participated in the building of underground culture worldwide and especially in the uk. the shamen was first founded as psychedelic indie rock band alone again or in the mid 80s before it quickly evolved as one of the leaders of the british acid house scene.

luise presents one of her dearest friends: with lul#005, constantijn lange shares his impressions of the mystifying nature and culture of morocco. in orange atlas, your mind travels through the kingdom, as constantijn melts together field-recordings with his unique sense for acoustic expression. the uplifting *rote nacht* (a1) reveals the contrasting energy between the tumultuous city and the silent mountain, before gently giving way to the feelings of the exotic seascape in *essaouria* (a2). delicately, yet suprising as ever, acid pauli rearranges the warm drums in *essaouria* (b1) to let your spirit rest in an imagined, green oasis, before it is completely taken away by the lightness of the seabirds in *thagazout* (b2).

after a year of waiting, here is the new, gorgeous, physic release from drummonds core artists. the path began with *letter a*, continues with this amazing release, made up of four tracks: *ego* by the drummers jewel man, electro jj is a warming up track, *fruits of the doom* and *missing ring* by kevin follet, fast & dark as his soul and, finally, *strange love* by marco novalis, hypnotic, a mental trip in his undiscovered brain. 200 vinyl copies, hand numbered by the artists, get your before it is too late...

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

coming correct from deep within the london scene, jonno & tommo consummate their production partnership with a return to ornate to delve further into the hypnotic, soulful end of the house spectrum. close the door stretches across the a-side of their new release, the tough demeanour of the drum-heavy intro giving way to a serene pad arrangement, setting the tone for a starlit workout bolstered by an infectious hook of dusty vocal and subtle sonic decoration that accentuates the groove. small stone represents a more reflective mood on the flip, steadily feeding in reams of rhythm and melody before fully blossoming into an equally seductive, bumping jam laced with a perfectly pitched acid line that nestles into the cosy confines of the track.secret weapon of the capitals underground house fraternity, miles sagnia steps up with a simmering remix of small stone that keeps the tension high and the textures roaming through a decidedly futuristic soundscape, while still retaining the ethereal tone of the original.

after his debut on the belgian curle recordings, a very well received ep, albert van abbe is back full force on his own platform, no comment. he presents two brutally deep originals, stoic and dustier then before, backed up with a rudolf klorzeiger remodel. klorzeiger last appeared in 99 as producer of dopplereffekts gesamtkunstwerk on dataphysix engineering..

the first release since romanthonys tragic passing had been sent to the pressing plant before he died. following discussions with his family and advisors, glasgow underground is continuing its series of re-issues to help create a legacy for romanthonys children.

after years sound tracking the dancehalls of bristol via their considered selections as djs, brotherly pair the kelly twins add label bosses to their cvs with the establishment of happy skull. the label kick offs in illustrious fashion with a collaborative release between two of bristols most interesting producers, kowton and hyetal. adopting the name systems of desire, the pair worked on a track together, before going off to produce their own individual versions entitled *control* and *consumption*, the results are exactly the intriguing cross between kowtons raw, crunchy, grime influenced techno and hyetal’s glistening synth work you would imagine.

kicking in with analogue sounding toms a rather tense and high pitched string and some nightclub crowd samples, munichs henry gilles immediately brings the tension before dropping the beats and some serious funk.
pressing on translucent 10 inch vinyl.

the alias of welsh-born, california-based brian williams, lustmord first emerged as an associate of spk in the early 80s, before embarking on a solo career that has yielded such classics as heresy (1990), the place where the black stars hang (1994) and (with robert rich) stalker (1995). lustmord has also contributed to numerous hollywood films as music and sound designer, and collaborated with the likes of clock dva, chris & cosey, geir jenssen, the melvins, tool, aaron turner, monte cazazza and coils jhon balance. often seen to epitomize dark ambient, it would be more accurate to say that his work simply goes deeper, further, than conventional ambient dares, or is able, to go. half a decade in the making, the word as power is his new studio album and an exploration of ritual music without dogma.

nice price deal !!! emil berliner is by some right now considered one of the new most striking and noticeable newcomers of the new dance scene in vienna. his brand new unexpected ep expresses exactly this attitude and takes in before mentioned attributes such as deepness, joyfulness and tenderness. the opening track is called little miss sunshine and definitely has a velvet touch to it, and is very much determined but in a cautious and gentle way. the laid back style is gripping and it is these details which are like rare goods, hard to find goods which appear here just at the right time

without trying to making it into a thing in its own right, there is a bit of a coincidence that is appearing for some of our houndstooth artists. following dylan richards chrysalis-like metamorphosis into house of black lanterns, alec storey is the latest artist to shift phase and re-christen his output after signing to our label, progressing from the al tourettes moniker in favour of the more becoming, second storey. whilst his new name might be in homage to the musical path set forth for him by his father, the four-track margosa heights ep sounds very little like anything you have heard from the bristol based producer before.